Pen & ink : line, texture, color

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The Master of Nightmares

In a special section, Claudia covers basic texturing techniques with mini demos using lines, dots, bruising, scribbling, spattering, blotting, printing, stamping, and more. From paints and pens to sponges, leaves and facial tissue, you'll explore all kinds of fun and inventive ways to create amazing textures. And to help you put it all together, Claudia includes her masterful advice for creating compositions using reference photos, field sketches and your own creative license.

Each demonstration features a large image of the completed landscape, so you can see exactly how Claudia's methods work -- from start to finish. Bestselling author Claudia Nice shows you how to draw and paint colorful seascapes, shorelines and beach scenes using watercolor textured with pen and ink, plus acrylics and gouache.

With the help of reference photos and filed sketches, create realistic and colorful paintings ranging from dramatic whitewater waves to more intimate vignettes such as sailboat marinas and tropical beaches. Each chapter explores in detail a different component of seascape painting, with the details being combined into 30 full-sized paintings to show how a composition is pulled together.

Georg’s Procreate Megapack

Imagine having the ability to draw any subject with precision, detail and expression. With Claudia's help, you can do it! In How to See, How to Draw you will discover how to tap into your powers of observation, strengthen your eye-hand connect6ion, and draw the world around you with new skill and accuracy. Just take it one step at a time.

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  • Pen and Ink Drawing - A Detailed Technique;

Claudia is an expert teacher, breaking down complex composition into a series of achievable shapes and values that even beginners will understand. Through dozens of mini demonstrations, fun-to-do exercises and complete step-by-step instructions, you'll learn everything from basic drawing techniques to more challenging methods for rendering wonderfully rich, in-depth compositions.

Use a variety of drawing tools to suit your style and artistic intent. Learn to let go of preconceived ideas so you can observe lines, shapes and spatial relationships as they actually are. Create strong compositions through comparison and proportional control. Find, fix and avoid common mistakes by using simple grids and guide lines. Understand and work with perspective to create the illusion of depth. Explore the potential of texture to create mood and movement.

Elements of Art – Texture | Art Elements: | Texture drawing, Art drawings, Drawings

Claudia's drawings illuminate a range of subjects, including portraits, landscapes, animals and still life. You can practice using her reference photos and drawings, or you can apply her exercises to your own subjects.

Start today. Claudia's way! Following her masterful guidance, you'll see the world through new eyes and draw better that you ever have before. All Rights Reserved. Pick a spot to sit down with your drawing board, thick paper, and different pens. Take a good look at your subject.

01. Make an underdrawing

Which areas are in the shade? Which are in the sunlight? Decide which part of your drawing is going to be the darkest, which areas are the lightest, and which sections will be somewhere in between. You can sketch your drawing lightly with a pencil first, but try to avoid outlining everything. Instead use dots or dotted lines.

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Go to it! Experiment with different marks and shapes, and try to use some of the different techniques. Remember to use the white spaces to your advantage-keep the paper white in areas where the sun hits your subject. But above all, find your own style! A few have been left plain to evoke a stucco finish. The bushes have also been stippled in graduated tones to convey their texture and form.

Build beautiful and realistic natural textures using ink liners and a brush pen.

Slates that are too small to draw individually have been suggested by hatched lines. We mentioned on the previous page, when talking about shapes and colors, that a landscape drawing or painting does not have to be an identical copy of what the artist can see, but that it may have some of its elements adjusted to create a better composition. The same applies to patterns and textures. You can change, simplify or enhance these for creative effect. The technique of cross-hatching is used to apply tone to those parts of the buildings that are in shade. Cross-hatching begins to establish the overall form of the image.

The shade of a tone can be increased or reduced depending on the number of hatched layers applied: a lighter shade is achieved with a single layer of hatching, while each additional layer darkens the tone. It is advisable to build up the tones gradually across the entire image rather than completing the drawing in small sections. This way you are more able to achieve an overall tonal unity throughout the composition. Once you have established the basic areas of dark and light, you can start to unify the overall tone of the drawing by fine tuning your cross-hatching and stippling.

You may need to intensify the hatching and stippling of certain areas in order to balance the different depths of shade throughout the composition. After some further tinkering with the tones and textures across the image, the ink drawing is finally completed by darkening the windows. This adds to the solidity of the buildings by suggesting their interior depth. The windows in a drawing of a building are nearly always dark.

The one time they can appear bright is at night when they are illuminated from within. The objective in balancing the elements of this or any other drawing is to ensure that all the lines, shapes, tones, textures and patterns work together in harmony, with each element contributing its strengths to the overall composition, without overpowering the qualities of the others.

Pen and Ink Drawing

Once you have finished your ink drawing, you may be pleased with the result and be happy to leave it as it is. On the other hand, you may feel that you want to enhance the image with the addition of some color. A watercolor wash is often applied to add a colorful dimension to a monochrome pen and ink drawing.

The great advantage of drawing with Indian ink is that it is waterproof when dry.

Pen & ink : line, texture, color Pen & ink : line, texture, color
Pen & ink : line, texture, color Pen & ink : line, texture, color
Pen & ink : line, texture, color Pen & ink : line, texture, color
Pen & ink : line, texture, color Pen & ink : line, texture, color
Pen & ink : line, texture, color Pen & ink : line, texture, color
Pen & ink : line, texture, color Pen & ink : line, texture, color
Pen & ink : line, texture, color Pen & ink : line, texture, color
Pen & ink : line, texture, color Pen & ink : line, texture, color

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